![]() ![]() The emergence of floorwork was an important development in breaking, marking the end of the early or "old-school" style. ĭownrock became common in the mid-1970s Keith and Kevin Smith, known as the "Nigga Twinz", have been credited with popularizing it, as has the original Rock Steady Crew. ĭownrock often transitions into dramatic power moves, including floor-based moves such as windmills and flares. The hands, legs and knees may also be featured or support the body. The foundational move of downrock is the 6-step, although innumerable variants exist. It allows the dancer to display their proficiency with foot speed and control by performing intricate footwork combinations. Downrock is performed with the body supported on the hands and feet. B-boying Stabbed windmills, a floor-based power moveįloorwork in b-boying (breakdancing) includes floor-based footwork, or downrock, as well as certain more athletic power moves. Floorwork is essential in the postmodern genre of contact improvisation, in which the floor can even be treated as a partner. ![]() Contemporary ballet uses the floor as an integral part of the choreography, rather than the occasional kneel or collapse to be found in older romantic ballet styles. Later movements derived from classical modern dance also used floorwork extensively. Doris Humphrey has been credited with floorwork innovations in a concert dance context. The concept is closely associated with Graham technique, because of Graham's extensive use of floorwork and widely imitated innovations, as well as the technique's unique repertoire of falls. Isadora Duncan incorporated floorwork in dances as early as 1911, although credit for its introduction is more often given to her successor Martha Graham. The use of floorwork is one of the major differences between modern dance and previous Western concert dance genres. Concert dance Floorwork in a contemporary ballet variation The "low" or floorwork level is one of three principal spatial levels dancers may occupy, along with the middle or bipedestrian (upright) and the high or aerial (jumping) levels. Executing floorwork smoothly requires flexible joints, a relaxed body, and attention to the kinesthetic feedback provided by the floor. These features are central to the use of floorwork in choreography, and also affect its role in technique classes. įloorwork changes the body's relationship with gravity, and requires dancers to navigate between higher and lower levels ("going in and out of the floor"). Some dance training practices, notably Floor-Barre, consist entirely of floorwork. Floorwork is used extensively in modern dance, particularly Graham technique and Hawkins technique, as well as in vernacular breakdancing. In dance, floorwork refers to movements performed on the floor. ![]()
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